Venice View

My new obsession. When I’m not in the kitchen, I’m at the dining room table with paint tubes sprawled, aluminum pans for palettes, a small blue plastic colander to hold up one end of my canvas on the table (maybe one of these days, an easel), and I paint.

Positano

I haven’t taken lessons. I just dive in. I choose a paint brush, play with blending colors, and start to work. A painting slowly emerges. Not perfect. But I like it anyway. It makes me smile. And I see the spirit of the place reflected back at me from the canvas.

Rome’s Spanish Steps

I’ve been around a lot of art in my life. My parents took me to museums when I was little. And I remember distinctly a series of large books at home, each with color plates of a master artist: Degas, Van Gogh, Lautrec, Renoir, Monet…I used to turn those pages for hours. Each painting imprinting in my mind.

My mom painted. I remember the small red hearts and designs on my white child-size furniture. And her canvas paintings of flowers I still have hanging on the wall. She painted a large freehand mural on our living room wall of arching willow trees. When we sold that house we were sure that’s what sold it.

Villa Cimbrone, Ravello

When I lived in NYC I used to haunt the Metropolitan (it was down the street from where I lived), paying 50 cents to get in (they always had a “suggested” admission, but you can pay what you like, so I could go often). And just wander, looking at paintings, old and modern, sculpture, mostly ancient. I loved the Whitney Museum of American Art. And MoMA. And the Guggenheim.

Guggenheim Museum – my very first painting

When I lived in Rome I took art and architectural history classes. Professors had us meet them right at the site of, say, a Palladio building, or up into the rafters of a church to see the ceiling frescoes.

Then I started writing for museums. Audio tour scripts. And worked with curators from art museums all over the country. We discussed the content to be translated into short audio messages for each painting of an exhibition. How to look at it, what to see, composition, color palette, details of the artist’s life and historical context.

Umbrian Hill Town

My once-husband, Peter Selgin, is a painter. I watched him paint. And I saw how he turned reality into art and didn’t worry about creating exact representations (although he could do that if he wanted). But poetic ones.

Grand Canal

There has been a quiet tug inside me for a long while to paint. I have often wanted to give it a go. But told myself to wait…that it would be a good thing to do when I’m 90… when I might have some free time! But last year I let the tug inside sneak out and I gave it try. I had never held a brush in my hand but I’m so glad I picked one up. The hours I spend on painting are completely free, completely poetic hours. The kind of hours we must all find ways to live.